There is a part of the beginning of my career, in terms of the installation and conceptual part, that I owe to them: to Melva and Abel, because they helped me and supported me to build my language from the three-dimensional, that is, from sculpture, and they were so kind and generous in that stage in which I needed to understand the three-dimensionality to activate it to my work in installation and/or spatial intervention, which later I was improving and activating it in a much more my own way. But they, they helped me!… both of them, and therefore I will always say that I am infinitely grateful to them for the selfless support they gave me at the beginning of my structure as a conceptual artist.