
Ivan Bautista’s Inspirational Path
Perhaps the closeness with his teacher Shinzaburo Takeda has left a seed planted in his creations, which Iván transcends and takes to a language of his own.
Perhaps the closeness with his teacher Shinzaburo Takeda has left a seed planted in his creations, which Iván transcends and takes to a language of his own.
The way to make a sculpture, technically speaking, is usually very complicated. The energy that moves among everyone and the dedication with which this work is carried out, makes us obtain wonderful sculptures
In a work close to a ritual; the artist shows us his inner complexity in a blurred tone, displaying a passionate and deep human being who kaleidoscopically portrays himself in different facets, reflecting wounds and fragments of his world in a congruent mass of expressive and almost caustic ideas.
Alma Citlalli was born in a cradle of crazy people, two parents dedicated to art and a very special sister who loves the strange, a born researcher, introspective and fond of history and culture.
The moment of mixing Seth Montfort’s energetic music on the piano and the classical, contemporary and African versions of the dance, described the depth of the stories of each of the paintings.
Since 2010, Nahualli has had the opportunity to collaborate with Habla, generating dialogue exercises based on art to enrich the dynamics of learning the Spanish language in a creative and fun way.
Abel Vázquez, during the 90’s, waiting for the arrival of his little daughter and living the first years of his first daughter, finds in the acetates of LP discs, ideal matrices for the production of pieces of graphic work in the technique of the gravure and its subsequent printing using the experience of roll up.
In those times, during the 80s, the experience was very enriching, we could have contact with a great diversity of audiences. Some visited us as a mere pretext for a family stroll, which served for recreation, combined with dog walking and children who took advantage of the use of “slides” and “up-and-down”.
“There is no time to destroy or not destroy, it is about making a dialogue, why waiting for time? Just do it, time does not exist”.
The word “mestiza” (half-blood/ half-breed/ mixed-race, used for women) represents, for Yucatan’s culture an emblem of motherhood, home, protection, wisdom and history. It is, for many, the representation of indigenous, strong and hard worker woman whose embroideries are worn by many citizens
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